The Roundness of Time

By David Simmons

The trouble with timelines is that time is not linear but circular. That’s why we have news cycles and boom-and-bust cycles, and why history repeats itself. What goes around comes around.

Progress is the unbending of time, the often fleeting escape from the vicious cycle that is the natural order of things. It almost never happens by accident, but takes a lot of effort and co-operation, which is why progressive movements such as democracy and poverty reduction are so hard to keep from curving off track.

Innovation is a tool humans have used since the invention of language and the greatest circle of them all, the wheel, to progress technologically. It took thousands of years for technology to progress in a major way, but like all things, without tremendous effort, it too becomes little more than a circular argument.

The first technological marvel I can remember getting excited about was the “flicker”. That’s what my parents called flashing car turn signals. Our first Volkswagen Beetle had semaphore turn signals that popped out of the B-pillar, but our brand-new 1957 model had real flickers, just like “grown-up” North American cars.

But the flicker was soon to be superseded on my excitement scale, because this was the 1950s, when time was in the early stages of an unprecedented spurt of linearity. That same year, the Soviets launched Sputnik 1, and I would stand in our yard in the evening and watch in awe as it tracked across the sky. It was the birth of the space age, and we thought it would change our lives.

But much smaller innovations around the same time, which didn’t make the headlines or heat up the Cold War, turned out to be much greater world-changers. Even as the Russians fired their rocket into space, full of sound and fury, a few bespectacled scientists somewhere quietly invented the first computer languages, and in 1958, the integrated circuit.

The thread that has run through the often circuitous, sometimes marvellously progressive timeline of human development is the one thing that really makes us different from all the other animals, the mastery of complex communication. That technology reached an apex with the printing press and the newspaper. Back in the 1950s, of course, we all knew that the newspaper was dead. Sure, it had survived newsreels and radio, but there was no way it would survive television.

We got our first TV in the early 1960s. Dad worked for a hardware store that was the town’s distributor of Electrohome, then Canada’s primary maker of state-of-the-art entertainment gizmos like stereophonic record players housed in beautiful wooden cabinets. Because of his employee discount, we were able to get both a stereophonic record player and a “portable” television set. It was called portable because it wasn’t housed in a beautiful wooden cabinet, and it had a handle on top for carrying purposes. But I don’t remember seeing anyone actually carry it alone.

At first we could only get one channel, the Canadian Broadcasting Corporation affiliate in Kelowna, a city about 70 miles (we hadn’t heard of the metric system yet) south of our village in British Columbia. Dad would rush home from work to watch the 15-minute news broadcast. I liked Saturdays, because the Bugs Bunny Show preceded Hockey Night in Canada. That was when the National Hockey League had only six teams; I lost interest in later years when it expanded and became too much work to keep track of.

But funnily enough, by the early 1980s, television had still not managed to kill off the newspaper. And so I became a print journalist. Still am, even though the people who know about such things have said the Internet will make the newspaper a thing of the past, as television and radio and movie newsreels didn’t before.

But although newspapers today look a lot like they did when I got started writing for them and later editing them, or even how they looked in the late 1950s when I first learned to read them (though mostly the funnies), the way we make them has changed in ways no one could predict 30 years ago.

And yet the changes, in a way, have been circular.

When I started in the business, newspapers were only just starting to use computers in a big way. The first paper I worked at for any length of time used a big computer to assist in the typesetting, but the stories themselves were written and edited on typewriters in noisy newsrooms.

Fast-forward to 2012, and I’m sitting all alone in my room in my boxer shorts, a cold beverage at the side, in Bangkok, editing stories for a newspaper in Hong Kong, 1,700 kilometres away. One of the stories is about the Chinese government doubling the trading range of the yuan versus the US dollar. I tap out the headline on my MacBook Pro, and send it at the speed of light. The next morning, I’m watching BBC World on my flat-screen TV, beamed to me from far overhead by a descendant of Sputnik, and there, on the newscast’s wrap of the day’s headlines from around the world, is my headline, about the yuan.

It had come full circle.